No Paradise: HBO’s “The White Lotus” and the Limits of Natural Theology

This reflection does not contain specific plot spoilers for the HBO seriesThe White Lotus” but it does refer to the overall trajectory of the storyline.

If you are looking for the key question that underlies HBO’s limited series The White Lotus, you will find it in episode 4, during a dinner conversation among the wealthy white Mossbacher family and their daughter’s BIPOC friend, Paula. In the midst of a terse intergenerational argument over race, class, and social change, the normally quiet teenage son Quinn erupts in frustration:

What does it matter what we think? If we think the right things or the wrong things, we all do the same shit. We’re all still parasites on the earth. There’s no virtuous person when we’re all eating less fish and throwing all our plastic crap in the ocean. Like a billion animals died in Australia during the fire. A billion. Where does all the pain go?”

Where does all the pain go, indeed? Who pays the price for widespread abuse and destruction, be it climate change, systemic social injustices or otherwise? 

Although it looks and sounds like a straightforward TV series centering intertwined human dramas, it is the tension between ethics and ecology that is, in truth, the force propelling the stories of the indolent guests at The White Lotus resort. Certain questions linger and prod at us throughout the series: can we (especially we white, economically-privileged westerners) insulate ourselves from the raw forces of nature, including the self-destructiveness of our own predatory instincts? Will nature eventually humble us into a greater sense of mutuality and interconnectedness with our neighbor and our planet?

For The White Lotus, at least, the answer is yes to the first question and no to the second.  Without giving away any specific plot points, it is safe to say that there is no dramatic comeuppance for the hotel guests. They emerge from their vacations largely unscathed, still ensconced in their entitlement, while those who serve them or tread in their wake are left to bear the brunt of the tragedy that ensues.

This can feel a bit disappointing, especially if you were hoping for the emotional gratification of seeing some problematic people get their just deserts. The sinister, sickly-golden artifice of the resort, which at the outset of the series hints at the possibility of some moral reckoning lurking among the hibiscus flowers (like a modern-day Fantasy Island) gives way to an even more sinister truth at the end: there is no reckoning, at least not for those at the top of the food chain. The world, the show seems to admit, continues to reward the dominant and chew up the vulnerable. There is no moral arc intrinsic to the natural order of creation. 

A bleak takeaway for an intelligent and entertaining TV series, perhaps. However, there is much here to consider through the lens of Christian faith—especially for those of us who operate in generally progressive Christian circles or who frequently emphasize the inherent goodness of creation. Here’s why.

If you or anyone you know has ever said something like, “I sense God’s presence most clearly in nature,” you have participated to some degree in what is called natural theology, which explores “what can be known of God through the natural world without any divine guidance or revelation” (McGrath, Christian Theology, 141.) When we behold the beauty of a sunset or marvel at the intricacy of an ecological system and then consider how those things might reveal something of their Creator, we are, in that moment, natural theologians. In our wonder we echo the words of the Psalmist who cries out that “the heavens declare the glory of God; the heavens proclaim the work of God’s hands” (Psalm 19:1). 

This can be a sacred and life-giving pursuit. Natural theology is a deeply important approach, especially because in an age of overly-spiritualized Christianity it emphasizes the goodness and the preciousness of the created world and our responsibility to it. For if nature bears some imprint of God’s own majesty, then presumably we are called to honor it and care for it, just as we do for our neighbor whose own face reveals to us the face of Christ. In the era of destructive climate change, this perspective is more urgent than ever. 

But natural theology has its limits, and we must be mindful of acknowledging them. For as much as we celebrate in the Christian faith that God created the earth and called it good (see:Genesis) this ought not send us into a mawkish romanticism that sees nature simply as a benign object of admiration. For example, it is unarguably lovely to imagine God revealed in a sunset or a rainbow, but far more troubling to consider God as exercising Divine prerogative in an earthquake or a hurricane. And although the record of Scriputure does both, it is far too easy to reject the latter while blithely retaining the former. God becomes the object of our pleasure rather than our awe, and God then suspiciously begins to look a lot like us, as malleable as the landscape we exploit.

And while they do not seem to profess any particular faith, this is, in fact, what the characters of The White Lotus are prone to do in their Hawaiian pseudo-paradise. They are natural theologians in extremis. They admire the waves and the flowers and the hula dancers as scenery while carefully ignoring their own complicity in the subjugation of the land and the people in whose midst they are traveling. Nature is beautiful and largely banal to them because, as those residing at the top of the ecosystem, they can afford to ignore the ugly, brutal stuff. But others (the hotel workers and those in more precarious social circumstances) cannot help but notice that stuff because they are the ones left to clean it up, both literally and figuratively.

Natural theology, unmitigated, can result in a subtle sort of idolatry in which the world as it is is interpreted as an end in itself. Our reverence for creation risks turning into reverence for ourselves with creation as a soothing backdrop, which might sound like a harmless form of self-empowerment until you see it at work among those who hold all of the power and who claim that this is both natural and divinely sanctioned (see: white supremacy.) At the risk of gross understatement, we’ve seen too much of this, and there must be a corrective.

Thankfully, there is. A central aspect of our faith, which can get lost in our contemporary enthusiasm for natural theologies, is that Christianity is revealed—that is, God’s activity and self-disclosure in Christ are outside of the natural order. This activity is characterized by intervention, by miraculousness, and what might be called a loving antagonism against the established natural and social order of the world. 

Because if we, like the creators of The White Lotus, observe that nature is inherently amoral in its ordering, such that “there are righteous people who are treated according to the conduct of the wicked, and there are wicked people who are treated according to the conduct of the righteous.” (Ecclesiastes 8:14), then God has provided a revolutionary new thing (Isaiah 43:19) in the Incarnation, Passion and Resurrection of Jesus. This new thing  is categorically unnatural, because it overturns the tendencies of death and domination that pervade nature as we know it. 

And in its unnatural character, God’s work in Christ liberates us from the expected outcomes. It is a promise that those who feast and laugh (and, ahem, take expensive and exploitative beach vacations) at the expense of others must eventually be accountable for their share of the world’s suffering.  

Divine judgment, which tends to make us progressive Christians squirm, is actually a promise that the brutality of nature is not the end of the story. Hence Mary’s jubilant song: “He has brought down the powerful from their thrones, and lifted up the lowly; he has filled the hungry with good things, and sent the rich away empty.” (Luke 1:52-53). 

This is the moral outcome which is utterly lacking in The White Lotus, but our dismay about that absence is actually a sign of encouragement. For if nature itself (and the society we have built upon its back) is largely indifferent to our basest impulses, then from whence comes our longing for justice and our capacity for selflessness? How can we imagine pure benevolence when we have no direct experience of it in the world around us? That these questions are inherently “unnatural” and unsupported by prevailing evidence suggests that there is more going on in God’s universe than what we can readily perceive.

This is our hope: that the answers to these questions transcend the limits of natural theology and invite us into something more vast than the largest ocean and more beautiful than the most perfect sunset—something made known to us not by human wisdom or striving, but only in the revelation we receive as followers of Christ. While Jesus does not deny that domination and death will still shape our experience of life and discipleship (see: Calvary), he also promises through his conquering of death that yes, there is place where all the pain goes. It goes to a place where it is held and transformed and redeemed by Love itself. We usually call it the Kingdom of God. It is a realm where we are are not just on vacation, but where we—and all of creation—can finally experience what the hapless travelers at The White Lotus never actually find: true peace. 

“Darkness and Light to You are Both Alike”: An Epiphany Reflection

I originally wrote this piece for The Episcopal Church’s Sermons that Work series in honor of the Feast of the Epiphany, January 6, 2021.

The metaphors of light and darkness are pervasive throughout Holy Scripture and Church tradition, but such imagery reaches its apogee now, on the Feast of the Epiphany. For those of us in the northern hemisphere, this is the day, in the lean light of January, when we often speak of Christ as brightness, as radiance, as the child bathed in starlight—attempting to articulate how an Incarnate God is not simply present among us, but revealed to us, just as the day is revealed by its dawning.

“Arise, shine; for your light has come,” declares Isaiah; it is an invitation to wake from sleep, to gather in the holy places, to pay homage to the one true Gift: God’s desire to know and be known by us. “We observed his star at its rising,” the wise men say, and it is a reminder that even the light of inconceivably distant galaxies has been caught up in the narrative of Divine Love made manifest, reaching across the vastness of space to find itself reflected in the eyes of an infant Lord.

For all the beauty of this imagery, however, and despite its centrality to our faith tradition, as people of this time and place we must contend in new ways with the ideas of darkness and light. We must be mindful of how this dichotomy has been used not only to depict the landscapes of spiritual consciousness but has also been misapplied to the physicality of people themselves, as if the color of our skin were an indicator of our soul’s worth.

This is especially true for those of us who live and worship in the United States; we cannot casually equate “light” with God and “darkness” with evil or ignorance in our preaching and our prayers without realizing how these very terms have been corrupted in recent centuries by our own sinfulness and that of our forebears—by this nation’s history of equating skin color with moral and spiritual capacities. All of us, no matter our background or good intentions, are inheritors of this bitter reality, and as Christians attentive to justice and reconciliation and breaking down that which disfigures beloved community, part of our own emerging Epiphany is a frank assessment of how language can harm just as powerfully as it can heal.

This is not about erasing the use of traditional imagery, nor is it about excising portions of Scripture. It is about taking these resources even more seriously than we have before: sitting with them, wrestling with them, plumbing the depths of Christian writing and hymnody to incorporate the full scope of ways we might speak about God—the One whom John calls “the true light… coming into the world,” but also the One of whom the psalmist says, “darkness and light to you are both alike.” The God whom Isaiah promises will be our “everlasting light” and the One whom the mystical theologian Pseudo-Dionysius calls “the ray of divine darkness.”

Rich and varied use of such metaphorical language preserves us from two extremes: first, from assuming that this imagery has no intrinsic power of its own to shape our social consciousness (it does); and second, from idolizing such imagery as if it were itself God (it isn’t). It is in the tension of opposites, then, and the playful spectrum between them, that we find our language’s best attempt at expressing the inexpressible, the experience of which we celebrate today.

For many of us, these considerations might feel like uncharted terrain. As such, the wise men in Matthew’s Gospel are ideal guides for our journey—strangers from another land, led through the night by wonder and hope, following the path to Christ fixed in the stars (which, of course, can only be seen in the dark). The Magi are not bound by the political machinations of Herod; they are not beholden to the present order of domination and exploitation. Instead, they are guided by dreams and visions, by the wisdom of hidden roads, by attentiveness to the signs around them. And in their journey—one that is itself the union of brightness and shadow—they are led to the place of our collective longing: to gaze upon the hidden face of God and to know that it is indeed God gazing back, beyond metaphor, beyond language itself, as pure, Incarnate presence.

How might we, too, encounter God again, if we are courageous enough to think deeply about the language we use to approach Divine Mystery? How might we, too, be guided to travel “by another road,” a road upon which we acknowledge the limits and the lamentable uses of “light” and “dark” in our recent past and then push beyond them? What new ways might we dream of to depict and express the epiphany that God is, and always has been, reaching out from across eternity to abide with us, to heal us, to bring us back to ourselves?

For us, as Episcopalians, this is an instance where our liturgy, our theological process, and God’s mission converge to do a brave new thing. As with any worthwhile journey, this is not one that can be finished quickly, nor can it be done alone. We must listen to one another, and to the voices of others whose lives are quite different from our own. We must be willing to hold ourselves accountable for speaking eternal truth in new and varied ways, knowing that even our most beautiful language is but a foretaste of the beauty that will one day be revealed in its fullness. But until then, it is what we have to offer.

“They all gather together, they come to you,” Isaiah promises the Holy City of God, and still we are coming, traversing the ages, stumbling, lost, hopeful, guided by stars and secret longings, to the place that is neither dark nor light, but deep and dazzling nonetheless—the place of love’s Epiphany: distant, hidden, home.

Jesus, the Incarnate Lamentation of God

I offered this address as a video teaching on June 21, 2020, as part of a parish retreat, “The Transformative Power of Lament.” That video can be viewed here.

This weekend we have spent a great deal of time considering how and why we lament. We have talked about God’s ability to hear and hold our lament; about how God wants us to express our sorrow as one part of the deep fullness of what it means to be human. 

But what about God? Is God simply an impassive sort of figure, up there, who calmly, magnanimously receives our cries of grief and frustration with a cosmic pat on the head? Or does lamentation itself somehow bear the image of Divine Life? Can we say that God, that perfect Trinity of Love, is also a figure of lamentation?

Yes, I think we can. And as followers of Jesus, I would say that we must. Because in Jesus, in both his earthly life and in his passion and crucifixion, we see and hear God’s enfleshed lament. God’s anguish. God’s piteous tears.

The idea that God might have a lamentation to offer back to creation was intuited long before the Incarnation, of course. The tradition of the Hebrew prophets already bears the imprint of God’s sorrow over Israel’s brokenness

From the prophet Amos:

Hear this word that I take up over you in lamentation, O house of Israel:

Fallen, no more to rise,

is maiden Israel;

forsaken on her land,

with no one to raise her up.

For thus says the Lord God:

The city that marched out a thousand

shall have a hundred left,

and that which marched out a hundred

shall have ten left.

For thus says the Lord to the house of Israel:

Seek me and live. (Amos 5:1-4)

And then in Jesus, we hear something so very similar, uttered on the human lips of that very same God, who has come to be as one with creation, and thus issues a cry in his own voice: 

“If you, even you, had only recognized on this day the things that make for peace! But now they are hidden from your eyes. Indeed, the days will come upon you, when your enemies will set up ramparts around you and surround you, and hem you in on every side. They will crush you to the ground, you and your children within you, and they will not leave within you one stone upon another; because you did not recognize the time of your visitation from God.” (Luke 19:42-44)

That is, of course, the pathos of God from the very beginning of our story, from Eden, through the Exodus, to Calvary and beyond —an inability to be fully recognized by creation in those moments of visitation. The Father weeps, in a sense, over our inability to see his face clearly through the tears of our finitude; the Son weeps over the hardness of our hearts, ossified by fear and apathy; the Holy Spirit weeps over our inability to hear her crying out across the the desert, across the void of infinite closeness between us.

Thinking about God as a figure of lamentation changes a few things. First, it recasts a lot of the ideas about God’s “wrathfulness” in a new light. What would be like if you imagined all of those “angry” proclamations from God in Scripture as being, instead, expressions of deep grief, said through tears and sighs? Would that affect how you imagine God’s realationship with the world?

This should not be especially surprising, if we think about it, because as Christians, Jesus reveals precisely what God has to say to the world about its brokenness, unmediated through the prophets, and far from being an expression of vengeful anger or rage, it is an expression of lament. Somehow God knows, in Holy Wisdom, that lament is the necessary message. 

Why is this? 

The theologian and scholar Walter Brueggemann suggests that it is grief and lament, rather than rage, which God offers to us in Jesus because God understands that lament is the fundamental act which penetrates the numbing self-interest of systems of domination and death; it is God’s solidarity wtih us, God’s joining in our anguish and asking us to learn from anguish rather than acting out of denial. It is in taking up our cross that we encounter the narrow but certain path to wisdom and redemption. The way, the truth, and the life.  Thus it is Only lamentation—that which we express and that which we listen to from others—which can build compassion within us, soften our hearts, and open us up to the mystery of transformative love.  

As Brueggemann writes, “Newness comes precisely from expressed pain. Suffering made audible and visible produces hope, articulated grief is the gate of newness, and the history of Jesus is the history of entering into the pain and giving it voice” (The Prophetic Imagination, 91).

And so when we look at Jesus on the cross, the ultimate expression of God’s lamentation, we are looking at that gateway into newness. We are looking at the articulation of God’s grief over a broken creation, and of God’s deep longing to be so close to us that he is willing to be broken himself. And then, in the resurrection, the definitive evidence that lament, for all its power, is a prelude to something even more powerful: healing, liberation, and enduring life. 

But in Jesus we learn that it is a necessary prelude. There is no shortcut around Golgotha, no avoiding an intentional engagement with grief. This, in some ways, is one of Christianity’s unique contributions to the faith traditions of the world—that suffering is itself a wisdom path, a holy road, one that Divinity itself has trod.

It is not a road for the fainthearted, but it is also not one that we walk alone. God walks with us, and we walk it with each other, to encourage, to listen, to grieve, and to celebrate as one body.

So, as we conclude our retreat, the question is: are we willing to go down that road? Are we willing to go through the gate of newness that is the cross? Are we willing to articulate our grief, and respond to the grief of others? Are we willing to weep with Jesus at the edge of the city, to bear that same fierce love he does, for people, including ourselves, who have not recongized the things that make for peace?

If we are willing, then lamentation is where we begin. 

God bless you on the journey. I will see you out there.