darkness – By Another Road

God Comes to Us in the Dark: A Meditation

I offered this meditation at a service for The Longest Night at St. Anne Episcopal Church in West Chester, OH on December 20, 2023. It is a time of prayer, music, and stillness for those who are struggling in the holiday season.

God comes to us in the dark. This has always been true.

In the beginning, when God created the heavens and the earth, the earth was a formless void and darkness covered the face of the deep. So says Genesis. So say our ancestors in faith, grasping back through time, back through the shadowy recesses of human memory, back to an original stillness, an original peace, an original fullness, back to when God, alone, was—and it was dark, and it was already good.

And all that follows—let there be light, and let there be all of this, and let there be you and me—all of it emanated from the darkness of love, where God dreamed and saw visions, where God composed the constellations, where God traced out the edges of the universe and imagined all that could be if there were such a thing as being. In the dark, God already knew both the price and the promise of being—what it would require—of God, and of us—and so God made a promise, from the very start, when our being came to be:

And that promise is: I am here. I am here. And again and again, when you lose sight of me, I will come to you. In every season, in every hour. When the light is bright, I am here. When it fades, I am here. And when it is night—on the face of the earth, or in the depths of your soul—then I am still here. You will not lose me in the dark. No, in the dark you will encounter me as I was from before the beginning: hidden but present, dreaming but awake, tracing, now, the edges of your face, your flesh now holding a universe of meaning. I am here, gazing at the constellations in your eyes, reminding you that being, simply being, here and now, together, is enough. It is all I ever wanted. It always has been. Even in the dark. Especially in the dark

For God comes to us in the dark. And this has always been true.

…

Despite this truth, we have a complicated history with the darkness, for reasons both pragmatic and imaginative. Job calls down the darkness as a curse; the Psalmist yearns for light like the watchmen waiting for morning. We understand this in our bones.

Because, until recently, the night was, for most people, an inevitable and somewhat threatening feature of daily life. Before electric lights and heaters, it was a cold and dim and dangerous time when one had to gather in close to others for safety and warmth. For our siblings who have no home to go to on this night, for those who are alone, this is still true—the night is not always our friend.

And yet there are other reasons we fear the dark, ways we have been formed to fear it in our mind’s eye. We have been taught, too often, that night metaphors are literal—that the light itself is somehow truer, purer, stronger, more moral, and that the darkness is a time of indolence, of deceit, of confusion and waywardness. And so when we find ourselves in a seemingly dark place—a place in our lives where we cannot see the path ahead, where we cannot understand what has happened to us and why—we might assume that we have been forsaken, that we have been forgotten, that we are at fault, or that God has left us to fend for ourselves.

We call this the dark night of the soul and think that we are talking about God’s absence. But we are wrong.

For we must remember, again: God comes to us in the dark.

Not just in the beginning, but always. The darkness is when God chooses to appear.

Consider how the Passover and the Exodus and God’s liberating work all began at night.

Consider God speaking to Moses on a mountain covered in thick, dark cloud, amid thunder and lightning.

Consider Jacob wrestling with an angel all through the night, claiming a blessing upon his wounded body before sunrise.

Consider the promise spoken by the prophet Isaiah: I will give you the treasures of darkness and riches hidden in secret places.

Consider the child, soon to be born in Bethlehem, in the silent, holy, starlit night.

Consider the Risen Christ, emerging from the darkness of the tomb into the predawn shadows of a garden.

And consider how the Lord promises his return when “the sun will be darkened, and the moon will not give its light,” how he will reveal himself, in the end, as he was in the beginning, emanating from that deep original mystery, that unseen, unspoken, ageless night of dreaming, older than the stars.

Yes, God always comes to us in the dark.

And if we consider this, then perhaps we will begin to realize that, indeed, darkness and light to God are both alike, because God’s presence and power and mercy are not dependent upon whether we walk confidently, whether we understand, whether we see clearly, whether we know exactly what to do next or how. God arrives in the night because God is at peace with hiddenness, with the unfolding mystery that God is to us, with the unfolding mystery that we are to God, and so we are invited, also, to make peace with that which is hidden—the reasons and the justifications and the certainties that elude us, and the ways that love endures regardless of what we know or do not know.

And God arrives in the night because, in truth, the darkness has its own particular knowing—its own intimacies and surrenders and quietude that come precisely when we cannot see everything, when we let go, when we cannot strive or plan or rely on ourselves as much as we do in the light of day.

The night engenders a deeper trust, if we will let it. If we will rest in it.

So whatever you carry with you on this night—a weariness, a fear, a grief, a bitterness, a question, a regret, a secret dream—what you must know is that God is still present to you in this place, God sees you and knows you, even if you cannot see God’s face, even if you don’t recognize who you have become.

Like a mother cradling her child, or like a lover in the darkness, God sees you, God gazes upon you tenderly, whispering gentle reminders of promises made and kept and renewed, of a covenant, of a bond deeper than eternity—one that will not break, even when we do. And we do sometimes.

But God comes to us in the dark, saying: do not be afraid, and saying, blessed are you who mourn, for I will make my home in the cracks of your shattered heart, and saying your pain will turn into joy—not because pain is holy but because I AM, and I am the one who offers you a joy that is deeper than fear — the joy that is my own self, that same self from before the beginning, a divine darkness bathed in the stillness of eternity and traveling, traveling, across the constellations and the cosmos to be here, right here, to hold you when your eyes are blurred with tears and shadows on this long, long, longest night.

And to tell you that even when it’s not ok, even when you are not ok, you are loved.

…

In a few days, we will celebrate a birth, and we will speak of the Light of the World, and on that day we will be talking, of course, about God. But remember, as we do, and as you go from this place tonight, that the Light of the World is not all that can be said of God. For before the light, God was.

And here, in the night of the earth and, perhaps, in the night of your soul, God has not left you. God is still doing what God always has been doing, in that original, timeless, holy darkness: dreaming, creating, forming, loving. Remembering all the prices you have paid. Remembering the promises God has made. And reminding us of the one thing that is always true, the one thing God will never stop telling us, even in the dark:

I am here. I am here. I am here.

The Stories We Tell in the Dark: An Advent Sermon

I preached this sermon on Sunday, December 3, 2023, Advent I, at St. Anne Episcopal Church, West Chester, OH. The lectionary texts cited are Isaiah 64:1-9 and Mark 13:24-37.

When I was in elementary school, I auditioned to be in a community theater production of A Christmas Carol. I was so nervous during the audition that I totally flubbed my rendition of Silver Bells, but apparently they needed lots of children in the production, so somehow I was cast as some nameless older brother of the real star, Tiny Tim. I had no solos, which was fine, and I think my only real speaking part was to exclaim something about the Christmas goose. A Tony-award winning role it was not.

But I loved every minute of it. And since then, I’ve always had a soft spot for A Christmas Carol, which, when you step back and think about it, is really a strange and gloomy bit of entertainment during the holiday season. There are ghosts and nightmares and strange visions in the dark, and the story is, at its core, an exploration of mortality and regret and redemption as Ebenezer Scrooge enters the twilight of his life. A far cry from the doggedly bright and cheerful tone of most things we watch and read and hear this time of year.

But you might be surprised to learn that Charles Dickens, the author of A Christmas Carol, was not trying to be countercultural by injecting some dark themes into the festive season. In fact, at the time he published the story, in 1843, the winter holidays were actually the preeminent time of year for ghost stories and tales of the macabre. People expected to be frightened a bit at Christmastime. We might associate those things now with Halloween, but in pre-Victorian England, it was wintertime, when the nights were cold and families gathered in close for warmth, that chilling stories were shared and the mysteries of the dark corners of life were explored.

A Christmas Carol is one of the only remnants we have of this tradition, along with that one line in the Andy Williams song, “It’s the Most Wonderful Time of the Year,” when he references people telling ‘scary ghost stories and tales of the glories of Christmases long, long ago.’ Otherwise, the culture around us seems to favor a cozier, less threatening tone as the winter settles in.

Except for one place. There is still somewhere you can go if you want to be a bit frightened during the holiday season. Right here, when you step into a liturgical church and listen to the readings during Advent.

Someone unfamiliar with the church seasons, stumbling into the midst of our Advent observances, might be forgiven for being shocked by the dim and haunting atmosphere of our readings and prayers this time of year. For this, the first Sunday of Advent, we have a yearning, wistful lament from the prophet Isaiah and an unsettling apocalyptic vision from Jesus and a Collect about casting away the works of darkness. One might expect the ghosts of Christmas past and future to show up at any moment, rattling their chains.

But for those of us who stick around to hear the stories, those who don’t run away, who try to make space for the odd collision of gloom and light that is Advent, I think we discover a strange respite in this season, perhaps the same sort that was provided by Christmas ghost stories in earlier times.

And the respite I am taking about is not the typical, self-soothing, therapeutic language that gets bandied about in some conversations about Advent being a slow and quiet time, an invitation to rest and relax and take part in self-care. Those are very good and healthy things, especially in a manic consumerist culture, but they are not the themes of Advent. Advent is not about a classical music and a bubble bath in between shopping trips.

Advent is about the stories that we tell in the dark—the stories that send a chill down our spine because they ask us to look into the shadows, the unknowability, the loss and the dissatisfaction and the brevity of things. That’s why you won’t find many light and happy Scripture passages this month; we must pass through the valley of shadows first, so that we can begin to understand the true radiance of what is promised in the first and second comings of Christ.

In the same way that we tell ghost stories around the fire in order to feel more alive, and in the same way that Scrooge, in A Christmas Carol, has to face his demons before his spirit can soar with the angels, so too does Advent invite us—require us, really—to acknowledge the pain of life so that we might better understand what Jesus is actually coming for in the first place. That is why our readings are not warm and bright and cheerful— because they attempt to be honest about, as Shakespeare put it, “the winter of our discontent” so that we might also be honest about what true contentment looks like when it arrives.

And what does contentment look like? We begin to collect some images for ourselves this week. Contentment looks like intimacy with our Creator, his hands like a potter molding the clay of our bodies into something beautiful and useful and strong. And contentment looks like intimacy with creation, that we might be as attentive and awake as a fig tree, our souls unfurled to receive the Son of God in due season.

In Isaiah and in the Gospel, and in all the stories we will tell in the dark over the next few weeks, we are asked to abide in the creative tension of living as a people who are both aware of life’s shortcomings and yet are haunted by the Kingdom of Heaven—knowing that both are real, the deep lamentation and the emerging promise, knowing that God will indeed reshape us, knowing that we do not hope in vain, and yet not knowing when the consummation of that hope will arrive in its fullness to descend upon our war-torn cities and upon our war-torn hearts.

And so, in Advent, we wait for the peace that the world proves time and again that it cannot give. And we tell the truth: the waiting is hard.

But may we also discover that in the waiting, even waiting in the dark where ghosts linger, there is still joy and loveliness and courage to be found when we gather in close to one another and do what we have been asked to do: to keep telling the stories of God’s goodness. To keep telling the good news. And to do this, all of this, in remembrance of the One who has promised that the end of the story will be a beautiful one.

And on that day, when past and present and future all come together, when the long delayed advent of God gives way to arrival, when we are awakened from something deeper than sleep, then, well, what a happy morning that will be. Happier, even than when Scrooge woke up to find himself alive, truly alive, on Christmas Day. I think it will be worth the wait.

Speaking of Scrooge, I suppose I have accepted the fact that I will probably not feature in any other productions of A Christmas Carol. But that’s ok. I am perfectly content. And you know why? Because I may not have had any good lines on stage back then, but now, every Sunday, I basically get to say the most important line of all, the one Tiny Tim says at the end of the story, the one that really sums everything up, the one that underlies everything we do. I get to say, God bless us, every one.

God bless us, every one. Everyone. It’s the best ending to a story anyone could hope for. Especially because it happens to be true. God will.

“Darkness and Light to You are Both Alike”: An Epiphany Reflection

I originally wrote this piece for The Episcopal Church’s Sermons that Work series in honor of the Feast of the Epiphany, January 6, 2021.

The metaphors of light and darkness are pervasive throughout Holy Scripture and Church tradition, but such imagery reaches its apogee now, on the Feast of the Epiphany. For those of us in the northern hemisphere, this is the day, in the lean light of January, when we often speak of Christ as brightness, as radiance, as the child bathed in starlight—attempting to articulate how an Incarnate God is not simply present among us, but revealed to us, just as the day is revealed by its dawning.

“Arise, shine; for your light has come,” declares Isaiah; it is an invitation to wake from sleep, to gather in the holy places, to pay homage to the one true Gift: God’s desire to know and be known by us. “We observed his star at its rising,” the wise men say, and it is a reminder that even the light of inconceivably distant galaxies has been caught up in the narrative of Divine Love made manifest, reaching across the vastness of space to find itself reflected in the eyes of an infant Lord.

For all the beauty of this imagery, however, and despite its centrality to our faith tradition, as people of this time and place we must contend in new ways with the ideas of darkness and light. We must be mindful of how this dichotomy has been used not only to depict the landscapes of spiritual consciousness but has also been misapplied to the physicality of people themselves, as if the color of our skin were an indicator of our soul’s worth.

This is especially true for those of us who live and worship in the United States; we cannot casually equate “light” with God and “darkness” with evil or ignorance in our preaching and our prayers without realizing how these very terms have been corrupted in recent centuries by our own sinfulness and that of our forebears—by this nation’s history of equating skin color with moral and spiritual capacities. All of us, no matter our background or good intentions, are inheritors of this bitter reality, and as Christians attentive to justice and reconciliation and breaking down that which disfigures beloved community, part of our own emerging Epiphany is a frank assessment of how language can harm just as powerfully as it can heal.

This is not about erasing the use of traditional imagery, nor is it about excising portions of Scripture. It is about taking these resources even more seriously than we have before: sitting with them, wrestling with them, plumbing the depths of Christian writing and hymnody to incorporate the full scope of ways we might speak about God—the One whom John calls “the true light… coming into the world,” but also the One of whom the psalmist says, “darkness and light to you are both alike.” The God whom Isaiah promises will be our “everlasting light” and the One whom the mystical theologian Pseudo-Dionysius calls “the ray of divine darkness.”

Rich and varied use of such metaphorical language preserves us from two extremes: first, from assuming that this imagery has no intrinsic power of its own to shape our social consciousness (it does); and second, from idolizing such imagery as if it were itself God (it isn’t). It is in the tension of opposites, then, and the playful spectrum between them, that we find our language’s best attempt at expressing the inexpressible, the experience of which we celebrate today.

For many of us, these considerations might feel like uncharted terrain. As such, the wise men in Matthew’s Gospel are ideal guides for our journey—strangers from another land, led through the night by wonder and hope, following the path to Christ fixed in the stars (which, of course, can only be seen in the dark). The Magi are not bound by the political machinations of Herod; they are not beholden to the present order of domination and exploitation. Instead, they are guided by dreams and visions, by the wisdom of hidden roads, by attentiveness to the signs around them. And in their journey—one that is itself the union of brightness and shadow—they are led to the place of our collective longing: to gaze upon the hidden face of God and to know that it is indeed God gazing back, beyond metaphor, beyond language itself, as pure, Incarnate presence.

How might we, too, encounter God again, if we are courageous enough to think deeply about the language we use to approach Divine Mystery? How might we, too, be guided to travel “by another road,” a road upon which we acknowledge the limits and the lamentable uses of “light” and “dark” in our recent past and then push beyond them? What new ways might we dream of to depict and express the epiphany that God is, and always has been, reaching out from across eternity to abide with us, to heal us, to bring us back to ourselves?

For us, as Episcopalians, this is an instance where our liturgy, our theological process, and God’s mission converge to do a brave new thing. As with any worthwhile journey, this is not one that can be finished quickly, nor can it be done alone. We must listen to one another, and to the voices of others whose lives are quite different from our own. We must be willing to hold ourselves accountable for speaking eternal truth in new and varied ways, knowing that even our most beautiful language is but a foretaste of the beauty that will one day be revealed in its fullness. But until then, it is what we have to offer.

“They all gather together, they come to you,” Isaiah promises the Holy City of God, and still we are coming, traversing the ages, stumbling, lost, hopeful, guided by stars and secret longings, to the place that is neither dark nor light, but deep and dazzling nonetheless—the place of love’s Epiphany: distant, hidden, home.